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Practicing with the SB-900s. Learning.

Face it, being a better photographer means being a more diverse and well-rounded photographer. You knew that, though didn’t you. That’s one of the reasons you come here, right? You’re always seeking to improve your craft, learn new tips, techniques and methods, and expand the boundaries of what you’re ultimately capable and comfortable shooting.

As someone who used to shoot only adventure and extreme sport-type subjects and who seriously shied away from inside photography jobs, I’ve certainly diversified my style of photography. Not only has this allowed me to get a wider variety of assignment work and increased income from stock, it’s also contributed to my own personal fulfillment in photography.

Whereas I rarely used to shoot people, except in the context of the sport in which they were currently engaged, now I find myself quite driven by the challenge of shooting environmental and location portraits and focusing on lighting, framing, and expression instead of just action.

To develop this part of my craft, I’ve used the regular learning methods that most of us tend to use: books, instructional videos, workshops, etc… However, I’ve also turned to methods that I wouldn’t have previously thought of. Sometimes I get books to review, and they’re not always titles that I think are relevant to my style of photography. That said, after taking a look at some of them, namely Light and Shoot: 50 Fashion Photos by Chris Gatcum, it occurred to me that there is something to learn from just about every resource, even if you don’t think there is.

For the record, I’m not a fashion shooter. Never will be. That said, fashion shooters use some of the most creative and experimental lighting techniques and styles known to man and I realized that I might be able to learn a few things from this book that I might not have thought of. In fact, I took it with me on the plane while traveling to a recent location assignment where I knew I’d be shooting people, just to browse through and get ideas.

I can’t say that I used any of the exact techniques that were in the book, but by exploring and expanding my scope of learning material, I know that I’ll slowly push my creative boundaries over time. Try it. Get some books you wouldn’t normally get and see what you can learn from them. I promise, you’ll learning something and at least find some new creative inspiration. And remember, you can always write them off.

Happy (diverse) learning.

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Senior contributor Dan Bailey is a professional adventure, outdoor and travel photographer based in Anchorage, Alaska.

 

 

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With so much to see and hear at PhotoPlus Expo, it’s a real challenge to balance looking at new gear, networking, and making time for the seminars. It’s impossible to see every one, but I did manage to catch the seminar on Building Multiple Revenue Streams by Derrick Story.

You might recognize the name, Derrick is the social media face of @LowePro. He’s also a working photographer and writer, and he gave a great talk about how widening your net of photography-related income is key to succeeding in the business these days. Visit Derrick’s blog The Digital Story.

Here are 10 tips on how to build your photo empire in the new economy…

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Although Dane Sanders is a wedding photographer, his introspective Fast Track Photographer coaching method is applicable to just about any style of shooter. I’m an adventure guy, and I found it to be an incredibly useful and inspiring resource for coming up with new business ideas. (Read my personal analysis here.)

I caught Dane after his PhotoPlus Expo business and career seminar and asked him what brief bit of advice he’d give to working photographers. Here’s his answer above.

Back in the good old days, we spent only spent a fraction of each workday at the computer. The rest of the time was divided up between the light table and that spot in your office or home where you packaged up slides and finished photographs to ship out to clients. Those days are over. Now, between editing images, updating web sites, emailing clients, uploading photos, writing blog posts and eBooks, and spending time on social media sites, we spend an enormous amount of time at the computer. Here it is, 7:59 AM on a Tuesday, and I’m furiously typing away. These days, if we’re not out on a shoot, there’s a good chance that we’re at the computer.

Unfortunately, all that mouse and keyboard time can lead to repetitive stress injuries, which is the last thing you want as a photographer. Imagine trying to hold your camera or external flash unit and having your forearm or elbow scream out at you, or — worse yet — give out on you. The phrase “no pain, no gain” does not apply here; physical in pain is not exactly a great creative motivator — take my word for it. [click to continue…]

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One of the really great things about working for yourself in photography is that you have such a varied work schedule. [click to continue…]

Over the past year, I have built a network of friends in the photography industry. We all share ideas, tips and videos in an effort to make each other better. A month ago, one of these friends needed an assistant at a wedding and asked if I would like to be a second shooter. I had never shot a wedding before. [click to continue…]

Managing a family, a day job and working on a growing photography business takes more than a good juggling act. Succeeding at all three takes commitment, a time management plan, and setting goals.  It’s easy for kids and family schedules to derail even the most well-organized plans. Knowing what to do when these things happen will help keep you on track. [click to continue…]

Controlling household or “practical” lighting within a scene is something we deal with all the time in the film industry.

To really set a scene appropriately, a cinematographer needs to be able to use light like a paintbrush. That’s why you need dimmer switches, which are the subject of this week’s Quick Take. [click to continue…]

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