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In the photo world’s blogosphere and Twitter feeds, there’s a steady stream of posts with titles like “30 stunning images of [fill in the blank].” You know the type: big collections of images that all fit a theme like “Water,” “Surfing shots,” “Action photos,” or “Panorama Landscapes.”

While none of us has the time to actually browse every single one of these posts, most of them are indeed filled with gorgeous and inspiring imagery, so I cruised around the web for a while today and selected a few that I’d like to share with you.  [click to continue…]

The Litepanels Micro Pro Hybrid is one of the best tools for both stills and video. It is a great way to add a little eye light or kill a shadow. They can be placed almost anywhere and generate almost no heat whatsoever. Litepanels was one of the first companies to make cinema ready LED lights and have crossed over to flash photography with the new Micro Pro Hybrid. [click to continue…]

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Which Lens Should I Buy?

by Dan Bailey on September 13, 2010 · 9 comments

Warning: Strong opinion ahead.

This is a post for all the photographers out there who are debating over which lens to buy next. You know who you are. You’re saving your hard earned dollars, you’re asking your friends on Facebook/Twitter for advice, you’re putting up polls on photography websites asking for input and you spend hours, glued to the B&H website looking over your options.

Is it the 17-55mm G ED VR AF-S D, or the 28-200mm 3.8-6.3 DC OS HSM? Or maybe the 23-260mm 4.7-9.2 IS VR GBD XIS ABCD? The first one is definitely in your budget, and you like the second one, but it’s just a bit more. The third one is definitely out of your range, but you’re considering it anyway.

Here’s my advice, plain and simple. [click to continue…]

Tomorrow, the National Association of Photoshop Professionals (NAPP) kicks off their biannual Photoshop World conference in Las Vegas, Nevada. I was thrilled to get a chance this week to chat with Scott Kelby — photographer, teacher, Photoshop pro and founder of NAPP. In this interview, he discusses not only how he manages all his different interests and responsibilities, but also delves into HDR photography, DSLR filmmaking, Photoshop and Lightroom strategies, and what it takes to succeed as a photographer today. I also got some great tips on tackling the wealth of information and excitement Photoshop World has to offer.

Sophia Betz: I want to start out with a little bit of background on how you started NAPP, how you founded the business, and kind of where the idea came from.

Scott Kelby: Well, we originally started doing one-day Photoshop seminars in 1993. And we would go to a town, and I would finish the seminar — at that time I taught them all myself; now we have other people teaching along with me, Matt Kloskowski, Dave Cross, Joe McNally, Bert Monroy, all these other people. But back then, it was just me.  So we would come to town, and at the end of the day people would come up to me and go, “Man, this is awesome. We had a great day today. Where do we go to learn more about Photoshop?”… But there really was no central place you could go to learn about Photoshop. So we went to Adobe with the idea of starting a national association of Photoshop professionals. And of course since we’re using the word ‘Photoshop’ we needed their blessing and their support — not financial support, we didn’t ask for that, but we needed their “OK you guys can do your thing.” We laid out our plans, we had everything pretty well, fully developed to launch this magazine, Photoshop User, along with it and all, and they were totally cool with it… And that all worked out better than expected [laughs]. That was about 11 years ago that we launched NAPP — it grew out of our one-day seminars… so people would have a central resource to go to for learning about Photoshop all year long, not just the one day we came to town.

©Scott Kelby

SB: In your work these days, are you more focused on going out and shooting when you’re not doing the seminar circuit, or do you focus more in post — in Photoshop and Lightroom and such? [click to continue…]

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steep turns never seemed worse

- Photographer Ilana Panich-Linsman takes an in-depth look into the lives of teenage girls, comparing and contrasting those living in America versus girls in the Middle East.

- You’re guaranteed to think twice next time you watch the Tour-de-France and say “I can do that” after seeing these incredible photos of the manic race.

- Sometimes we forget how so much of photography doesn’t require a camera.

- Check out this awesome camera-nerd accesory for you computer — a required buy for any photo junkie.

Lightrails from Strukt Studio on Vimeo.

-  dvafoto looks at the recent option to license your Flickr photos through Getty, is this good or bad for struggling photographers?

-  Feature Shoot shares photos of Thai ladyboys by Australian photographer Kristian Dowling.

-  Epic Edits has 7 tips for shooting with prime lenses.

-  The playoffs may be over, but check out this cool video of team practice from Boston Globe photographer Yoon Byun.

(video via John Nack)

-  PDN features some beautiful photos (with no vuvuzelas!) of the Moses Mabhida Soccer Stadium in Durban, South Africa.

-  The New York Times Lens blog takes a look at “Camera, Camera” a new documentary that explores the phenomenon of photo snapping tourists.

-  Mediastorm shares some quick Final Cut shortcuts

-  The New Yorker’s Photo Booth blog shares photos from South Africa by Krisanne Johnson

For whatever reason, humans didn’t evolve with telephoto vision, For this exact reason, images shot with with a telephoto lens can have strong visual impact because we’re simply not used to seeing that way. However, by learning how see like a tele, we can begin to anticipate the distinct qualities and effects that long lenses are capable of imparting on our photography and fine tune our compositional eye towards making effective telephoto images. [click to continue…]

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