You are here: Home » Archives for photography tips

Practicing with the SB-900s. Learning.

Face it, being a better photographer means being a more diverse and well-rounded photographer. You knew that, though didn’t you. That’s one of the reasons you come here, right? You’re always seeking to improve your craft, learn new tips, techniques and methods, and expand the boundaries of what you’re ultimately capable and comfortable shooting.

As someone who used to shoot only adventure and extreme sport-type subjects and who seriously shied away from inside photography jobs, I’ve certainly diversified my style of photography. Not only has this allowed me to get a wider variety of assignment work and increased income from stock, it’s also contributed to my own personal fulfillment in photography.

Whereas I rarely used to shoot people, except in the context of the sport in which they were currently engaged, now I find myself quite driven by the challenge of shooting environmental and location portraits and focusing on lighting, framing, and expression instead of just action.

To develop this part of my craft, I’ve used the regular learning methods that most of us tend to use: books, instructional videos, workshops, etc… However, I’ve also turned to methods that I wouldn’t have previously thought of. Sometimes I get books to review, and they’re not always titles that I think are relevant to my style of photography. That said, after taking a look at some of them, namely Light and Shoot: 50 Fashion Photos by Chris Gatcum, it occurred to me that there is something to learn from just about every resource, even if you don’t think there is.

For the record, I’m not a fashion shooter. Never will be. That said, fashion shooters use some of the most creative and experimental lighting techniques and styles known to man and I realized that I might be able to learn a few things from this book that I might not have thought of. In fact, I took it with me on the plane while traveling to a recent location assignment where I knew I’d be shooting people, just to browse through and get ideas.

I can’t say that I used any of the exact techniques that were in the book, but by exploring and expanding my scope of learning material, I know that I’ll slowly push my creative boundaries over time. Try it. Get some books you wouldn’t normally get and see what you can learn from them. I promise, you’ll learning something and at least find some new creative inspiration. And remember, you can always write them off.

Happy (diverse) learning.

—————

Senior contributor Dan Bailey is a professional adventure, outdoor and travel photographer based in Anchorage, Alaska.

 

 

—————

Click here to sign up for our weekly newsletter.

London Sessions with Brett Florens - iPad App
The “London Sessions with Brett Florens” app for iPad is your ticket to an exclusive wedding photography course with renowned photographer Brett Florens. Through the app’s three-day workshop, this skilled professional delivers priceless advice as well as practical photo sessions, geared to elevate your wedding photography business and help you appeal to a higher level clientele.

You get Brett’s tried and tested view on business sustainability, dealing with clients, advertising, nailing a job, costings, maintaining a healthy relationship with fellow suppliers (videographer, florist, jeweller, dress designer), attending bridal shows, pre-wedding meeting, viewing your portfolio, and much more. Just hearing a professional of Brett’s calibre describe his personal kit is illuminating, from his reasoning for choosing the Nikon 70-200 2.8 lens to why a collapsable reflector is the single most important addition to your kit.

The first day includes an excellent photo demonstration in which Brett shows specially created exposure problems and then presents fast and effective solutions for each. This clear insight into how he tackles common exposure issues would be of benefit to any photographer—whatever their level of expertise—and should be taught at every photography school.

His quick and effective remedies go beyond the elimination of unsightly shadows, or overly shiny skin, to achieve an altogether classier shot. Importantly, this constructive guidance can be applied to a multitude of situations with tips for life on controlling depth of field, shooting in aperture priority mode, reading your histogram on the fly, or refining the exposure settings to ensure the client gets exactly what she asked for. A great example here is a beach shot that delivers flattering exposure of the bride but fails to show the beautiful beach behind her. Brett explains how this specific bridal shot can be adjusted to bring in detail of the beach in the background, thus fulfilling her (well-paid for) wish of stunning beach bridal shots.

London Sessions with Brett Florens - App for iPad

At the end of the first day, there are practical sessions where Brett takes a group of photographers on a comprehensive wedding day shoot with a model couple. There is a casual engagement session in a fetching London coffee shop as well as a fashion-oriented street scene. Brett’s experience shines throughout with clear instructions on engaging with the couple, exposure, using available light with a reflector, and more.

Practical sessions continue on the second day when the group photographs the bride’s preparations (including an informative interview with the makeup artist and shooting the dress), the ceremony and exchanging rings, reception and first dance, bridal portraits, couple leaving the church, and countless memorable moments in-between. The second day ends with a night shoot against the backdrop of London’s striking night lights with an enormous amount of photographic details throughout.

The third day is dedicated to the post production process, from choosing images and touch-ups to printing and maintaining a healthy relationship with a pro lab. The post-wedding shoot is expanded upon, including some particularly striking images. Brett shows the Grey Card in Post Production, speaks of Raw vs. Jpeg, Nik Software, printing your images, relationship with your pro-lab, post-wedding shoot, reprints, parent’s albums, and more.

This app is the ultimate guide to wedding photography, from running and sustaining a successful business to delivering simply classic images. While every photographer of any skill level would benefit from this Nikon-credited photographer’s advice, the app would be of enormous interest to practicing practitioners wanting to elevate their business, take more striking shots, and attract a classier clientele. Brett’s expertise is admirable, while his thoroughly professional delivery is charmingly clear and informative throughout.

Grab the app in the iTunes Store.

Advertisement

BehindtheLens AppNetframes’ “Behind the Lens with Brett Florens” app for iPad and iPhone takes us on an engaging wedding day shoot with top photographer Brett Florens. We follow this skilled professional as he guides us through the entire day, from arrival at the groom’s house and the couple’s preparation, to bridal and outdoor portraits, the church, reception, first dance, cake cutting, and more.

The app’s greatest strength is the comprehensive insight it provides into the hectic day. As we follow the admirably calm Brett from one setting to another, he shares his expert choices of equipment, exposure, wedding day proceedings, photographer’s conduct on the day, subject lighting, and pose. There are countless tips for every aspect of wedding photography, including constructive use of time on the day, building rapport with the couple, and tackling lighting challenges that arise. Coupled with the gorgeous resulting images, this information amounts to a priceless and highly-effective photography lesson.

Behind Brett’s masterful presentation hides an astounding amount of useful photographic detail. For a single outdoor shot of the groom riding a bike, for example, Brett explains how he uses pocket wizards—wireless transceivers—so that the flash can be triggered from 20-30 meters away. He attaches one to the camera and the other to the flash before bringing in a portable strobe unit to freeze the action. On this overcast day, Brett sets the camera to 400 ISO with a 200 shutter speed. The ambient light is around 200 at F11 and, as Brett explains, he is shooting at F14 to slightly underexpose the background and separate it from the subject.

Brett’s clear delivery is enhanced by the app’s superb editing. The overall emphasis is on elevating your photography—whatever your level of expertise—and creating classy images.

BehindTheLensBride

Some of the many tips I jotted down were shooting in pairs so you have images for both sides of the wedding album, getting at least one good shot of all bridesmaids and groomsmen, getting a shot of the groom as he listens to the bride’s reception speech, using an extension chord for the flash to get directional lighting, getting ambient light into a dancing shot (set to tenth of a second on F4), and checking image histogram on the fly. Brett chooses one histogram to show lack of highlights in the 1/125, F4, 400 ISO shot. On this occasion, he tackles the problem by slowing the shutter down to a tenth of a second, allowing ambient light in and adding atmosphere.

His ultimate control over his equipment is evident throughout. In one outdoor shoot, Brett makes a daylight shot look like it was taken at night, and in another reprints-generating shot, uses a wide-angle lens on a raised monopod for a photo outside the church that includes the couple’s entire guest party.

Brett’s professionalism provides a worthy lesson in fast thinking and thorough understanding of both ambient light and your equipment. When the light drops dramatically, Brett takes atmospheric shots of the couple before bringing the Ranger power pack into action. He swiftly adjusts his equipment for the reception, which is shot in a photojournalistic style with many emotive and candid images. After taking several detail shots around the room, Brett backs up onto the Epson P5000, where we get a glimpse of the many images taken so far. Using a 12-24mm lens and a slow shutter speed, he captures the couple’s arrival with lively images that have a sweeping effect, a fetching touch of drag, and sense of motion.

BehindTheLensReception

For the speeches, he uses a 600watt Elinchrome head with a white umbrella, a lighting set up which, as Brett explains, is suitable throughout as it covers both guests and speakers. For the first dance, Brett’s assistant shines a 2 million power flash light to illuminate the bride’s veil, allowing Brett to shoot romantic, warm images without a flash.

This is a superbly put together app that is guaranteed to elevate your wedding photography to a higher level and help you produce classier ‘winning shots’. It is a comprehensive and friendly guide to wedding photography, bursting with priceless photography tips for life. If you are curious about wedding photography or a practicing professional wishing to significantly improve your output and clientele, this app is for you.

Pick it up in the iTunes Store.

With so much to see and hear at PhotoPlus Expo, it’s a real challenge to balance looking at new gear, networking, and making time for the seminars. It’s impossible to see every one, but I did manage to catch the seminar on Building Multiple Revenue Streams by Derrick Story.

You might recognize the name, Derrick is the social media face of @LowePro. He’s also a working photographer and writer, and he gave a great talk about how widening your net of photography-related income is key to succeeding in the business these days. Visit Derrick’s blog The Digital Story.

Here are 10 tips on how to build your photo empire in the new economy…

[click to continue…]

Advertisements

One of the really great things about working for yourself in photography is that you have such a varied work schedule. [click to continue…]

Neil Young rocking out at The O2, Dublin 2009. Shortlisted for a PPAI Photojournalism Award 2010. Copyright: Graham Keogh/Hot Press

People always say I have a glamorous job. I work as a staff photographer and photo editor for Hot Press, an iconic music and lifestyle magazine that has been causing havoc in Ireland for over 35 years. This has seen me rub shoulders with national & international bands and artists, sports stars, politicians, media, TV and film personalities, models and everything in between. Ultimately, my favorite task is capturing images of musicians when they are onstage, off stage, between stage or falling off stage. [click to continue…]

Although The Flash Bus has ended it’s 29 city Speedlight mega-fest, the off-camera excitement continues. Joe McNally’s latest instructional DVD, The Language of Light, has just been released, and it looks like a great continuation of everything he’s been teaching for the past few years. [click to continue…]

Here are some great links for your Thursday!

  • You can now apply for the Arts Writers Grant, which is “designed to encourage and reward writing about contemporary art that is rigorous, passionate, eloquent and precise.” Bloggers, authors, and “short-form” writers are all eligible for the $3K-$50K award (via Zoe Strauss)
  • Speaking of Zoe Strauss (one of The Photoletariat’s favorite contemporary photographers), the “Zoe Strauss: 10 Years” retrospective, celebrating her career thus far and her incredible I-95 project, is slated for early 2012 at the Philadelphia Art Museum. Congrats, Zoe!
  • A Photo Editor has a great article up this week with tips for young creatives, including, but not limited to “When you meet new people, remember Dale Carnegie.”

by Zoe Strauss

Advertisement