You are here: Home » Archives for landscape

Rainbow over the Matanuska River Valley, Alaska. Photo by Matthew Keller, Blue Ice Aviation

Here at The Photoletariat, we’re all pretty engrossed in photography. Some of us are full time pro shooters, while others are aspiring or part time pros, and the rest of us fall into that category that the photo industry refers to as enthusiasts. We love to shoot photos and are completely engrossed in the equipment, the techniques, the methods, the news and the general hoopla of photography. That’s pretty much why we have this blog, so that we can follow along anytime anything exciting happens in the world of image making.

But what about the people who aren’t totally wrapped up in the hoopla, or who don’t study and analyze their technique, and who don’t have the latest and greatest gear? What does that make them? [click to continue…]

The world is literally full of details. Every single object and scene around us is made up of individual features and textures that make up the greater form, and depending on who we are and where our interests lie, we all notice them differently. What interests one person might not even gather the attention of another, and thus moving in close and shooting the details of a scene is a great way to create images that truly reflect your personal view of the world. [click to continue…]

Advertisement

See this picture? It’s certainly nothing special. In fact, if I were to critique it, I’d give it pretty low marks. It’s way underexposed, mostly due to the huge patch of snow in the foreground. I really had to bump up the exposure in Photoshop, which caused a great deal of distortion and color shift. Compositionally , it’s boring, and besides, who wants a jet trail in their mountain photo? Also, it’s got some glare from the sun streaming in from the top. [click to continue…]

Inspired landscape photos require you to slow down and wait for the best light.

The other day, one of my stock agency editors told me to shoot more landscapes.

Having been a stock photographer for over 15 years, those are words that I’ve never heard. Just about every agency that I’ve worked with has always said the same thing. “Landscapes are a dime a dozen, we have enough of them. Shoot people.”

Here we are, years later and now they actually want landscapes. What’s going on here? [click to continue…]

Advertisements

Panorama created by merging multiple photos with Adobe Photoshop

For the past few months, I’ve experimented with shooting panoramas; stitching multiple photos together with Adobe Photoshop’s “Photomerge” command. Basically, to create a panorama, you take a photo of a subject, then pan your camera so that the right edge of your first shot lines up with the left edge of your next shot. Take another picture and then repeat the process until you’ve shot as many frames as you need. [click to continue…]

Baltoro Porters

Porters on the Baltoro Glacier, Karakoram Himalayas, Pakistan

Sometimes when you’re out taking pictures, it’s easy to become so absorbed in your subject matter that you forget to look around you. This is especially true when you’re in an exotic location, or when you’re in the middle of shooting some really cool subject.

For example I was trekking up the Baltoro Glacier in the Karakoram Himalayas of Pakistan with a mountaineering expedition. One of the longest and most massive glaciers on the planet, the Baltoro is essentially a thousand foot thick slab of ice that’s covered in rock that it pulls down from the mountains as it slowly carves its way down the valley. To say the least, it’s an impressive landscape.

One afternoon, I found myself attracted to the scene above. We had stopped for the day and the native Balti porters were hunkering down to rest and relax after a long day of carrying loads up the glacier. It had just rained, and so everything was a little bit wet from the storm. The clouds were clearing, which gave us an impressive view of the Trango Towers and the other mile-high granite spires that we’d hiked past earlier in the day.

I grabbed my camera and loaded up a fresh roll of Kodak Ektachrome Lumiere 100, (during that trip, I was trying out the new Kodak slide film and comparing it to my regular film of the day, Fuji Velvia 50). I began shooting the scene, trying out different lenses and compositions and moving around as I tried to capture the beauty and power of the scene. Shooting into the low sun, I framed the porters in front of the towers off in the distance and exposed to maximize my contrast between the sun, clouds and foreground.

Highly motivated by my scene, I snapped frame after frame, hoping to get a one-of-a-kind shot that would illustrate the majesty of what was going on in front of me.

That’s when I heard the gasps of excitement from some of the other expedition members. At first, nothing registered out of the ordinary, because I figured that they were just looking at the same thing I was seeing. However, I quickly realized that this was not the case. Apparently, something rather exciting was going on behind me.

I broke away from my scene, spun around to see…this.

Rainbow over the Baltoro Glacier, Karakoram Himalayas, Pakistan

The truth of the matter is that if nobody had been around to alert me to what was going on behind me, the rainbow might have come and gone without me even knowing. I was so engrossed in trying to capture my immediate subject that I almost missed it. I’m glad I didn’t, because, aside from being an incredible thing to witness in one of the most majestic places on the planet, this image has turned out to be one of my biggest selling fine art prints.

The lesson here is simle: Don’t forget to look the other way. Even when you think you’ve got a great subject, stay alert to the rest of the world around you.

————–

Dan Bailey is a professional adventure, outdoor and travel photographer based in Anchorage, Alaska. Follow his own blog at danbaileyphoto.com/blog and see his daily updates at facebook.com/danbaileyphoto.

3 rocks

Ok, back to basics for a minute.  A good photographer must never forget what the word “photography” actually means: to write with light.

When we photograph something, we are not just recording the subject matter that happens to be in front of the camera, we are actually recording the light that is being reflected back to us from the subject. Your eyes work the same way. Without light, there would be no picture, just as when we’re standing in a completely dark room, we cannot discern any detail in the objects around us. [click to continue…]

Buddhist prayer flags flutter in the wind, Ladakh, India

An iconic travel image should communicate the very essence of a place to your viewers.  When shooting travel pictures it helps to have some idea of what you want to shoot before you go on your trip.  The last thing you need on a trip is to be overwhelmed by your surroundings when arriving at your location. [click to continue…]

Advertisement