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Since 2008, Steve Mayes has been the managing director of VII, whose members include photographers such as James Nachtwey and Ed Kashi. In a career spanning over 25 years, Mayes has held a number of high profile positions including group creative director of Getty Images, CEO of Photonica, COO (Americas) for Image Source, creative director of Eyestorm.com, and director of the Image Archive at Art + Commerce. He is a frequent lecturer, writer, and has been Secretary to the Competition Jury of  WordPress Photo since 2004.

Reuel Golden: Could you please tell us a little bit about VII’s mission and how it differs from other photo agencies?

Steve Mayes: VII derives its name from the number of founding photojournalists who, in September 2001, formed this collectively owned agency. Now owned by ten photographers and representing an additional fifteen Network affiliates plus nine developing talents in the Mentor Program, VII has expanded considerably but remains true to its core mission of using photography for positive change.

RG: Describe a typical working day. [click to continue…]

Tomorrow, the National Association of Photoshop Professionals (NAPP) kicks off their biannual Photoshop World conference in Las Vegas, Nevada. I was thrilled to get a chance this week to chat with Scott Kelby — photographer, teacher, Photoshop pro and founder of NAPP. In this interview, he discusses not only how he manages all his different interests and responsibilities, but also delves into HDR photography, DSLR filmmaking, Photoshop and Lightroom strategies, and what it takes to succeed as a photographer today. I also got some great tips on tackling the wealth of information and excitement Photoshop World has to offer.

Sophia Betz: I want to start out with a little bit of background on how you started NAPP, how you founded the business, and kind of where the idea came from.

Scott Kelby: Well, we originally started doing one-day Photoshop seminars in 1993. And we would go to a town, and I would finish the seminar — at that time I taught them all myself; now we have other people teaching along with me, Matt Kloskowski, Dave Cross, Joe McNally, Bert Monroy, all these other people. But back then, it was just me.  So we would come to town, and at the end of the day people would come up to me and go, “Man, this is awesome. We had a great day today. Where do we go to learn more about Photoshop?”… But there really was no central place you could go to learn about Photoshop. So we went to Adobe with the idea of starting a national association of Photoshop professionals. And of course since we’re using the word ‘Photoshop’ we needed their blessing and their support — not financial support, we didn’t ask for that, but we needed their “OK you guys can do your thing.” We laid out our plans, we had everything pretty well, fully developed to launch this magazine, Photoshop User, along with it and all, and they were totally cool with it… And that all worked out better than expected [laughs]. That was about 11 years ago that we launched NAPP — it grew out of our one-day seminars… so people would have a central resource to go to for learning about Photoshop all year long, not just the one day we came to town.

©Scott Kelby

SB: In your work these days, are you more focused on going out and shooting when you’re not doing the seminar circuit, or do you focus more in post — in Photoshop and Lightroom and such? [click to continue…]

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Brenda Milis began working with photography as an art historian, receiving her B.A. at UC Berkeley and studying photo history on fellowship in the graduate division of Northwestern University. Getting her start in photo editing at Jane magazine, Brenda eventually helped launch Style.com, then moved to Santa Fe, NM to work as a photo editor at Outside magazine. She is currently the Director of Photography at Men’s Health magazine. Shoots she has produced have won various awards and been featured in American Photography, SPD and the PDN photo annual.

Brenda Milis, Director of Photography, Men's Health/Photo by Ayla Christman

Reuel Golden: Describe your typical working day.

Brenda Milis: I am a fanatical list maker and it helps me keep all the elements of my day running smoothly because I work on a lot of different projects every day. To give a quick overview, a typical day at work for me consists of making art plans (concepting and then deciding on appropriate photographer to shoot concept); working on budgets, asking editors for stories/articles I really need more information on; a lot of back and forth with publicists vis a vis celebrity shoot dates, concepts and photographer approval; working closely with both my photo department and the art department; looking at as much photography in as many places as possible.

RG: How do you come up with the photography concepts for the stories that appear in Men’s Health? How do you plan the issue? [click to continue…]

-  Mike Davis, who we recently interviewed, answers the question “what is a picture editor, anyway?”

-  Photographer Aaron Huey shares his experience of photographing the Lakota Indian Tribe (via APhotoADAy)

-  Aurora Photos is now featuring a new search filter that helps editors find only “journalistic” photos. (via APhotoEditor)

-  Will Steacy, a photographer previously featured on the Photoletariat, has an opening for his new project “Down The Mean Streets” on June 10th in New York City.

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Mike Davis is a freelance photo editor with a resume that reads as a list of photographer dream jobs; National Geographic, The White House, The Oregonian newspaper in Portland.  Now as an independent photo editor, Davis offers his services to photographers, publications and organizations.  He was kind enough to answer a few questions for us.  This is part one of our interview, check in tomorrow for the second installment.

Johnny Simon: Describe what your history as a photo editor.

Mike Davis:  Oh boy, I’ve worked in the some of the best places, most recently at the Oregonian here in Portland.  Before then as the White House picture editor, not to mention Copley Newspapers in Northern Illinois where we won 29 awards in one year, including first and second place newspaper photography of the year in both editing and shooting awards. A magical environment.  I’ve been a design director at the Detroit Free-Press and a picture editor at National Geographic Magazine and the Albuquerque Tribune when it was winning Best Use of Photography of the Year. I’ve been lucky.  Virtually everywhere I’ve worked was among the best in the country for photography. [click to continue…]

-  Joerg Colberg asks the question to different photographers:  What makes a good portrait?

-  Paul Waldman photographed some of the masters of photography, read an interview at Livebook’s Resolve blog.

-  Listen to Platon talk about his nerveracking shoot with Vladimir Putin (click in the portrait of Putin for the video clip)

-  Watch Martin Schoeller in the studio as he shoots striking portraits of female body builders.

Yesterday we published the first half of our interview with Andrew Spear, a young and promising freelance photographer who shoots regularly for publications like the Wall Street Journal and the New York Times, despite still being a college student living in a rural college town.  As learned from yesterday, his remote location has been more of a benefit than a hindrance.  [click to continue…]

Andrew Spear is a freelance photographer living in Southeast Ohio.  What’s intriguing is without any sort of internship , Andrew has already established himself in a crowded industry, all while still being a full time student.  At only 21 years old and a month from graduating from the School of Visual Communication at Ohio University, he’s already photographed assignments for the New York Times, the Wall Street Journal and AARP Bulletin.  He was kind of enough to answer some questions about the work he does and how being a successful photographer is about being close to where the pictures, not the publications are.  Here is part 1 of our interview, check in tomorrow for the second half. [click to continue…]

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