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Practicing with the SB-900s. Learning.

Face it, being a better photographer means being a more diverse and well-rounded photographer. You knew that, though didn’t you. That’s one of the reasons you come here, right? You’re always seeking to improve your craft, learn new tips, techniques and methods, and expand the boundaries of what you’re ultimately capable and comfortable shooting.

As someone who used to shoot only adventure and extreme sport-type subjects and who seriously shied away from inside photography jobs, I’ve certainly diversified my style of photography. Not only has this allowed me to get a wider variety of assignment work and increased income from stock, it’s also contributed to my own personal fulfillment in photography.

Whereas I rarely used to shoot people, except in the context of the sport in which they were currently engaged, now I find myself quite driven by the challenge of shooting environmental and location portraits and focusing on lighting, framing, and expression instead of just action.

To develop this part of my craft, I’ve used the regular learning methods that most of us tend to use: books, instructional videos, workshops, etc… However, I’ve also turned to methods that I wouldn’t have previously thought of. Sometimes I get books to review, and they’re not always titles that I think are relevant to my style of photography. That said, after taking a look at some of them, namely Light and Shoot: 50 Fashion Photos by Chris Gatcum, it occurred to me that there is something to learn from just about every resource, even if you don’t think there is.

For the record, I’m not a fashion shooter. Never will be. That said, fashion shooters use some of the most creative and experimental lighting techniques and styles known to man and I realized that I might be able to learn a few things from this book that I might not have thought of. In fact, I took it with me on the plane while traveling to a recent location assignment where I knew I’d be shooting people, just to browse through and get ideas.

I can’t say that I used any of the exact techniques that were in the book, but by exploring and expanding my scope of learning material, I know that I’ll slowly push my creative boundaries over time. Try it. Get some books you wouldn’t normally get and see what you can learn from them. I promise, you’ll learning something and at least find some new creative inspiration. And remember, you can always write them off.

Happy (diverse) learning.

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Senior contributor Dan Bailey is a professional adventure, outdoor and travel photographer based in Anchorage, Alaska.

 

 

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We creative types are always looking for those little pangs of extra inspiration, whether it comes from books, software plugins, or smartphone apps.

Today at PhotoPlus Expo, Paul Pierson Apps announced a brand new iPhone app called “Canon Idea Mind.” Created by graphic design and branding whiz Paul Pierson of NYC-based Carbone Smolan Agency in conjunction with Canon, this cool little app is designed to inspire pro photographers by distilling creative ideas into condensed visual flash cards you can save and use to help drive inspiration for your shoot.

The app’s home screen presents you with a set of fields where you specify what, where, and when you want to photograph. You then fill in fields that correspond to conceptual ideas about your proposed shoot and what feelings or moods you want to convey. Or, if you need additional ideas, you hit the “randomizer” button and let the app fill in concepts for you.

When all the fields are complete, you hit “Done,” and the app spits out a graphic visual promo that matches the parameters of your shoot. You can save this image to share with fellow creative conspirators and/or use it to come up with specific ideas that might help you motivate and plan for your shoot.

Drawing from the notion that a picture is worth a thousand words, Canon Idea Mine comes at it from the other side, using words to inspire images. It’s definitely an original, idea-provoking machine, and even better, it’s free. I wondered where Canon actually fits in the mix, since their name is associated with it. Apparently the final release will include a link to the Canon Digital Learning Center. It’s designed as a portal into their brand; a PR piece, as it were.

Canon or not, I see this one being pretty popular with just about every style of photographer. I like the format, and it’s a fun, well-executed design. I’m a Nikon guy, and I’ll definitely get this one when it comes out.

Don’t tell Nikon.

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Senior contributor Dan Bailey is a professional adventure, outdoor and travel photographer based in Anchorage, Alaska.

 

 

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Spend a few hours on the web on any given day and you’ll stumble across about fifty gajillion blog posts and Twitter links. Most will provide an unending amount of photography goodness and information; some can be applied to your own creative ventures. However, reading all those posts takes time and if you spend the majority of your day reading, that means that you’re not spending the majority if your day shooting and marketing. Believe me, I keep learning this the hard way. [click to continue…]

LeavesAnother installment of 5 cool and inspiring photos I saw today on Flickr!

I’ve done this a couple times before and had lots of fun with it. If you’re a new reader, you can view my previous Flickr posts here and here. [click to continue…]

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Young Buddhist lamas, Diskit Monastery, Ladakh, India

Back when I was in music college, we liked to ask my friend’s roommate what he thought of certain guitar players around the school. He almost always gave the same answer:

“Very technical, but no feeling.” [click to continue…]

Although The Flash Bus has ended it’s 29 city Speedlight mega-fest, the off-camera excitement continues. Joe McNally’s latest instructional DVD, The Language of Light, has just been released, and it looks like a great continuation of everything he’s been teaching for the past few years. [click to continue…]

Your Photos Suck

by Dan Bailey on April 19, 2011 · 14 comments

This photo sucks.

Your photos suck.

Okay, maybe not all of them. But it’s a simple truth that no matter how good a photographer you are, you’re bound to make mistakes and create images that are just plain bad. If you don’t, then you’re not trying hard enough. You’re not experimenting enough. You’re not pushing yourself creatively.

The sooner you come to terms with this fact, the sooner you’ll start improving as a photographer. [click to continue…]

Photographic creativity ebbs and flows like a tide. And what contributes to those ebbs is a combination of your own complacency and something I call the “What’s worked for me lately” factor.

It happens like this: You stumble upon a new technique or method that works well for you, and when you find that it gives you great results, you throw it in to your bag of tricks for the next time. And the time after that. And the time after that.

Pretty soon, you’ve shot nearly everything for the past two months with the same approach. Your imagery starts to get stale, or at the very least you find yourself running out of inspiration because you’ve suddenly grown tired of the same old method.

That’s when you know it’s time to break out and try something new! Here are 20 techniques that might spark your creative inspiration and propel your photography into a whole new realm. [click to continue…]

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