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PinholeDay

Worldwide Pinhole Photography Day is April 29, 2012

Pinhole is the ultimate low tech photography that is truly within everyone’s reach. Any box or container can be turned into a lensless Pinhole camera and enthusiasts have successfully converted everyday household items such as a shoe box, cookie jar, drink can, match box, salt shaker, and suitcase, as well as the unusual toilet roll, watermelon, and a toy truck.

The idea is simple. You light-proof the object of choice, create a pinhole on its surface, and place photographic film or paper on the opposite end of the hole to record your image. Light from the subject travels through the pinhole with the top of the subject hitting the bottom of the film/paper plane and the bottom of the subject hitting the top of the plane, thus resulting in an upside-down image.

The pinhole itself can be made as precisely or as loosely as you wish, bearing in mind that the quality of the hole will impact the final image quality. A thin piece of flat metal is commonly used for the pinhole with any rough edges gently smoothed out. See Tom Lindsay’s useful demonstration using a sewing needle to make a quality pinhole on a square piece of brass shim.

One of the simplest pinhole camera constructions I came across is made of a metal paint can. The cylinder container is light-proofed with black paint on the inside and a pinhole is made on its curved side. A flexible, bendy black magnet is handy for covering the hole between exposures and the can’s lid is easily removed to get photographic paper or film in and out of the can. If you would rather use a ‘proper’ film loading mechanism, remove a camera’s lens and make a hole in the lens lid. You can make the hole yourself or use a ready-made body cap for this purpose.

This also applies to the digital domain, where you can simply fit a NO DUST body cap or a digital zone plate cap on your DSLR and record the pinhole image digitally.

Once your camera is constructed, pinhole made, and your camera’s f number figured out, you are ready to take pictures. To work out your exposure, try readily available dedicated Pinhole exposure calculators or one of several Pinhole exposure apps.

Experiment with different photographic papers, films, and long exposure times while exploring the camera’s limitless depth of field. You could work with more than one pinhole in your camera for unusual multiple imaging effects, use a curved container where the recording medium itself is at an angle and put to practice the possibility of photographing in a public place with your camera disguised as a household item.

It is important to point out that ready-made pinhole cameras are also available, ranging from a several dollars worth basic cardboard construction to solid professional bodies such as Ilford’s (4x5inch) Harman Titan that will set you back several hundreds. That said, the construction and customisation process of the camera is said by users to be a source of great pleasure as well as an inspiring lesson in the fundamentals of photography.

Useful links:

The age of true high-end point and shoot cameras has finally arrived.

If you’re like me, you keep waiting for the next level of compact cameras that don’t cost a fortune, that produce great imagery, and that don’t have horrible shutter lag. You keep waiting, all the while just keep shooting with your iPhone.

This year at PhotoPlus Expo, we saw a new generation of compact cameras from every manufacturer, including the new Fujifilm X10. I only got a brief look at the very end of the day, but I really liked what I saw.

First of all, this camera looks and feels awesome in your hands. It reminds me of a small, classic rangefinder. All the dials and controls are laid-out in a really obvious and ergonomic way. You turn it on by rotating the zoom barrel on the lens, and adjust things like shutter speed and aperture with a small thumb dial on the back.

Image quality is pretty standard for what we’re seeing lately: 12MP, with a 4x zoom and a lens that effectively covers a range of 28-112mm. It shoots Jpeg, RAW and H.264 video with stereo sound. And it has impressive macro capabilities, focusing down to about 1cm away from your subject.

And the best part; virtually no shutter lag, which means you won’t miss the moment. Oh, and just to make sure you don’t miss it, the X10 will fire at continuous high speed mode ar 10 fps (M and S file size) and 7 fps at full resolution. That’s faster than my D700!

This is what we’ve all been waiting for, right?

The Fujifilm X10 costs $600, and in my quick look, I’d say it’s worth every penny. For $1,200, you can pick up its big brother, the new X100, which has many of the same specs, all packed into a beautiful, rugged chrome chassis that will make you think you’re carrying a fifty year old classic.

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Senior contributor Dan Bailey is a professional adventure, outdoor and travel photographer based in Anchorage, Alaska.

 

 

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In many ways, PhotoPlus Expo is all about the gear. We all want to see the coolest new toys from the manufacturers: gear that inspires us or solves problems. Or that makes us feel really cool.

Here’s one from Lowepro: the brand new, innovative Lens Exchange 200 lens case. It addresses the problem of… well, let’s just put it this way — How many times have you almost dropped a lens while changing them? Yeah, me too.

I could try to explain how it works, but why don’t you just watch this video and see for yourself.

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Senior contributor Dan Bailey is a professional adventure, outdoor and travel photographer based in Anchorage, Alaska.

 

 

Controlling household or “practical” lighting within a scene is something we deal with all the time in the film industry.

To really set a scene appropriately, a cinematographer needs to be able to use light like a paintbrush. That’s why you need dimmer switches, which are the subject of this week’s Quick Take. [click to continue…]

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Every year, the National Association of Broadcasters holds the NAB Show, one of the year’s most important events for people in the film industry.

Even though film makers technically don’t qualify as broadcasters, this is the event where many manufacturers debut the newest technology and support equipment. And now that video-enabled still cameras have penetrated the market, this year really featured something for everybody.

NAB Shows offer a mix of notable personalities and very intriguing pieces of kit, and NAB 2011 was no exception. Here’s a quick run-down of the things I saw last week. [click to continue…]

Which camera you should buy depends largely on how you define yourself as a photographer.

A few months ago, we ran a post called “Which Lens Should I Buy?”

Today we ask the question on the other side of this equation: which camera should you buy? [click to continue…]

Sandy Puc and Mike Long BTS Before Upcoming Tour

Trying to shoot video and stills at the same time is enough to make anyone’s head explode. I have a few recommendations for how you can keep it together while doing both. [click to continue…]

As a professional photographer, self-confidence goes a long way. However, so does humility.

There are times when you need to clearly demonstrate the mastery of your skills, your enthusiasm for using said skills, and your immense creativity to get the job done. However, there are also times when you need to suck it up and admit that you screwed up.

To err is human. Of course, few of us actually use the word err in common conversation, so I’ll put it another way. Completely blowing the exposure is human. So is using the wrong shutter speed, forgetting to set the proper ISO, putting the lights in the wrong place, screwing up the focus (although that’s the camera’s fault!) grabbing the wrong lens, forgetting to format the memory card or using the wrong sync speed with the flash or missing the shot because you were distracted or because you were trying to set that custom function on your LCD panel.

And that’s just the goof ups that I made in the past week! [click to continue…]

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