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Event Photography 101

by Jessica Ford on December 2, 2010 · 8 comments

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Lesson #1 – Opportunities Come From Unexpected Places

You never know where your next gig will come from. Thanks to my Facebook page leaning heavily towards my passion for photography, I was asked by a friend three days prior to their Halloween party if I would bring my camera and take photos. I was flattered but nervous — it was a daunting task. Did I have the right equipment? Would I be able to pull this off? But I quickly told myself to get over it and figure it out, and that the opportunity to shoot a party at a nightclub would be a great learning experience.

Lesson #2 – Be Prepared

Even if you’re not a professional photographer, it’s important act like one. Getting the right equipment was easy with a quick trip to Borrowlenses.com. Knowing what to do when I got to the club was another story, so I tapped into every resource I could find. I emailed a friend who is a talented event photographer. He gave me information on basic camera settings to start with and reminded me not to be afraid to experiment with the flash, and practice “shooting blind” to get more candid shots. He also said that when people are dressed up, they aren’t shy about posing for the camera. Make sure there is a colorful background, shoot the details, watch for people doing interesting things.

And yet no amount of preparation will ever cover all your bases. You always have to expect the unexpected. One thing that didn’t occur to me is that when you’re in a dark club and you look through the viewfinder, it’s, well, dark. But you work with what you’ve got and make the best of the situation. I made sure I was at the 17mm end of my lens so that I didn’t miss too much. Since it was loud, I found it easy to tap people on the shoulder, smile and point to my camera, and without hesitation everyone posed for me. The nervousness never really goes away, no matter how much experience you have.

Lesson #3 – Be Assertive

You’ve got the gear, you’re stalking subjects like prey. You look like a photographer and not just some goofy party guest with a camera, so be confident. Don’t be afraid to ask people to take their photo. Push your way up to the front of the stage to photograph the band. Be bold enough to get up on a couch here and there and take some crowd shots.

Lesson #4 – If You’re Working, You’re Not a Guest

A crowded, raucous party is a danger zone. Heed this cautionary tale: As I tried to make my way from one end of the room to the other to get another angle on the band, I got bounced around like a pinball. My hands kept a death grip on my camera. I couldn’t put the strap around my neck because of the obnoxious, long blonde wig I had on. At this point in the night drinks were being spilled and the party was cranked up into high gear. I tried to protect my camera as if it were a newborn baby. A split second later I felt myself start to slip on a wet spot on the floor. Thankfully, I caught myself, but what did hit me was the reality of what working an event was really like.

It will be a lot easier to shoot if you’re not dressed up in a long, blond Lady Gaga wig and boots. Focus on your duty as a photographer and don’t worry about mingling. You’re not missing anything. If you try to balance being a guest and a photographer, you’ll end up failing at both.

Lesson #5 – Have a Card, Any Card

Always carry business cards. You never know when a random guest could be in need of your sercies. One of the band members came up to me when they were done and asked me for my card. You never want to be in the situation where you can’t give a potential client a way to contact you. Paying job or not, never go anywhere without your contact information ready to hand out.

Lesson #6 – Be Nice

Any big event may have other photographers or videographers there. Cooperate and be considerate of each other’s workspace. At this particular event, a fellow, more professional photog offered his assistance and handed me some advice. I tried out his suggestion to be courteous but didn’t really see any difference. Not wanting to offend him, I took a few more pictures the way he suggested and then went back to how I’d be doing it before. It’s all part of the learning process.

Lesson #7 – Don’t Forget to Have Fun

Shooting live events comes with perks. Often you’ll get an upclose view of the action. The surprise guest at this event happened to be world-renown performance artist David Garabaldi. He took the stage and rocked the house while he painted 5X6 foot portraits of Mick Jagger, Bob Marley and Albert Einstein all with a couple of brushes and his hands. I was front and center. I couldn’t believe that I was a few feet away from him, and able to shoot all kinds of details from his paint cans to his famous hand stamp signature. This was definitely one of the highlights of my night. When you can, forget about the other photographers, the insecurities — just have fun and soak it in.

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  • Stageside

    I can relate 100% to what you went through photographing this event, I spend most of my photography time at live gigs, and usually ones playing heavy metal, besides learning to use the basic settings and experimenting i find i have to contend with bad lighting, mosh pits, vocalists hanging from scaffolding, fast movement and beer been thrown around by band members and the audience alike, as you say you have to act proffessional and most people will treat you with the same respect you give them, if someone is in your way ask politely for them to move momentarily while you take your shot.

  • http://www.520photography.com 520Photography

    I have been shooting live performance photography for about a year now. I agree with everything you said so far. the main thing I keep chanting in my head is work fast and stick to the basics. With live shows, you normally have 3 songs in the pit then you are out. if you try and get fancy, you will most likely get nothing. I choose to shoot manual. Set my f stop to 2.8 and just adjust shutterspeed. If I can, I will try and get the correct exposure but with the flashing lights that are very unpredictable, I aim to stay about 1/3rd stop under exposed. I can recover some shadow detail because I shoot RAW but there is nothing I can do about the blown highlights. I have not found the brain in the camera to be able to compensate enough to trust it in “P” mode entirely, I shoot canon, although if it is a daytime concert and I am just not getting it right, I will sometimes use it. the important thing is to just get the access and keep shooting. You will find what works for you with your gear and stick with it. Great article, keep up the good work. if you would like to see any of my concert work, check me out at http://520photography.com/port…/
    thanks

    Kelly

  • http://northfultonphoto.com Northfultonphoto

    Timely article for me. I got asked to take Santa pictures this last weekend. It was a very similar experience. I kind of scoffed at it at first but i got exposure to 30 families with young kids and earned a little christmas money. Here is a link to my blog post about the experience if you are interested – http://tinyurl.com/23kra85

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