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PinholeDay

Worldwide Pinhole Photography Day is April 29, 2012

Pinhole is the ultimate low tech photography that is truly within everyone’s reach. Any box or container can be turned into a lensless Pinhole camera and enthusiasts have successfully converted everyday household items such as a shoe box, cookie jar, drink can, match box, salt shaker, and suitcase, as well as the unusual toilet roll, watermelon, and a toy truck.

The idea is simple. You light-proof the object of choice, create a pinhole on its surface, and place photographic film or paper on the opposite end of the hole to record your image. Light from the subject travels through the pinhole with the top of the subject hitting the bottom of the film/paper plane and the bottom of the subject hitting the top of the plane, thus resulting in an upside-down image.

The pinhole itself can be made as precisely or as loosely as you wish, bearing in mind that the quality of the hole will impact the final image quality. A thin piece of flat metal is commonly used for the pinhole with any rough edges gently smoothed out. See Tom Lindsay’s useful demonstration using a sewing needle to make a quality pinhole on a square piece of brass shim.

One of the simplest pinhole camera constructions I came across is made of a metal paint can. The cylinder container is light-proofed with black paint on the inside and a pinhole is made on its curved side. A flexible, bendy black magnet is handy for covering the hole between exposures and the can’s lid is easily removed to get photographic paper or film in and out of the can. If you would rather use a ‘proper’ film loading mechanism, remove a camera’s lens and make a hole in the lens lid. You can make the hole yourself or use a ready-made body cap for this purpose.

This also applies to the digital domain, where you can simply fit a NO DUST body cap or a digital zone plate cap on your DSLR and record the pinhole image digitally.

Once your camera is constructed, pinhole made, and your camera’s f number figured out, you are ready to take pictures. To work out your exposure, try readily available dedicated Pinhole exposure calculators or one of several Pinhole exposure apps.

Experiment with different photographic papers, films, and long exposure times while exploring the camera’s limitless depth of field. You could work with more than one pinhole in your camera for unusual multiple imaging effects, use a curved container where the recording medium itself is at an angle and put to practice the possibility of photographing in a public place with your camera disguised as a household item.

It is important to point out that ready-made pinhole cameras are also available, ranging from a several dollars worth basic cardboard construction to solid professional bodies such as Ilford’s (4x5inch) Harman Titan that will set you back several hundreds. That said, the construction and customisation process of the camera is said by users to be a source of great pleasure as well as an inspiring lesson in the fundamentals of photography.

Useful links:

Adobe Lightroom 4 Beta

Lightroom 4 Beta is now available as a free download from Adobe Labs. Among its many improvements are the two new modules Map and Book, better video support, much requested Soft Proofing, enhanced DNG support, and the ability to email an image directly from within Lightroom.

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BehindtheLens AppNetframes’ “Behind the Lens with Brett Florens” app for iPad and iPhone takes us on an engaging wedding day shoot with top photographer Brett Florens. We follow this skilled professional as he guides us through the entire day, from arrival at the groom’s house and the couple’s preparation, to bridal and outdoor portraits, the church, reception, first dance, cake cutting, and more.

The app’s greatest strength is the comprehensive insight it provides into the hectic day. As we follow the admirably calm Brett from one setting to another, he shares his expert choices of equipment, exposure, wedding day proceedings, photographer’s conduct on the day, subject lighting, and pose. There are countless tips for every aspect of wedding photography, including constructive use of time on the day, building rapport with the couple, and tackling lighting challenges that arise. Coupled with the gorgeous resulting images, this information amounts to a priceless and highly-effective photography lesson.

Behind Brett’s masterful presentation hides an astounding amount of useful photographic detail. For a single outdoor shot of the groom riding a bike, for example, Brett explains how he uses pocket wizards—wireless transceivers—so that the flash can be triggered from 20-30 meters away. He attaches one to the camera and the other to the flash before bringing in a portable strobe unit to freeze the action. On this overcast day, Brett sets the camera to 400 ISO with a 200 shutter speed. The ambient light is around 200 at F11 and, as Brett explains, he is shooting at F14 to slightly underexpose the background and separate it from the subject.

Brett’s clear delivery is enhanced by the app’s superb editing. The overall emphasis is on elevating your photography—whatever your level of expertise—and creating classy images.

BehindTheLensBride

Some of the many tips I jotted down were shooting in pairs so you have images for both sides of the wedding album, getting at least one good shot of all bridesmaids and groomsmen, getting a shot of the groom as he listens to the bride’s reception speech, using an extension chord for the flash to get directional lighting, getting ambient light into a dancing shot (set to tenth of a second on F4), and checking image histogram on the fly. Brett chooses one histogram to show lack of highlights in the 1/125, F4, 400 ISO shot. On this occasion, he tackles the problem by slowing the shutter down to a tenth of a second, allowing ambient light in and adding atmosphere.

His ultimate control over his equipment is evident throughout. In one outdoor shoot, Brett makes a daylight shot look like it was taken at night, and in another reprints-generating shot, uses a wide-angle lens on a raised monopod for a photo outside the church that includes the couple’s entire guest party.

Brett’s professionalism provides a worthy lesson in fast thinking and thorough understanding of both ambient light and your equipment. When the light drops dramatically, Brett takes atmospheric shots of the couple before bringing the Ranger power pack into action. He swiftly adjusts his equipment for the reception, which is shot in a photojournalistic style with many emotive and candid images. After taking several detail shots around the room, Brett backs up onto the Epson P5000, where we get a glimpse of the many images taken so far. Using a 12-24mm lens and a slow shutter speed, he captures the couple’s arrival with lively images that have a sweeping effect, a fetching touch of drag, and sense of motion.

BehindTheLensReception

For the speeches, he uses a 600watt Elinchrome head with a white umbrella, a lighting set up which, as Brett explains, is suitable throughout as it covers both guests and speakers. For the first dance, Brett’s assistant shines a 2 million power flash light to illuminate the bride’s veil, allowing Brett to shoot romantic, warm images without a flash.

This is a superbly put together app that is guaranteed to elevate your wedding photography to a higher level and help you produce classier ‘winning shots’. It is a comprehensive and friendly guide to wedding photography, bursting with priceless photography tips for life. If you are curious about wedding photography or a practicing professional wishing to significantly improve your output and clientele, this app is for you.

Pick it up in the iTunes Store.

Successful photographers understand the need to “recession-proof” their businesses so they don’t crash hard when then economy dips.

Of course, there’s no stock way to do to this, and it’s always interesting to see how different people build and adapt their specific business models and find success. Today, I present a case study with a profile of Kubota Photography and Kubota Image Tools. I sat down with them at PhotoPlus Expo to find out how they’ve found success in a vey dynamic industry.

20 years ago, Kevin And Clare Kubota started their wedding photography business in Bend, Oregon. When the industry began moving towards digital, Kevin embraced the new format, became highly proficient with Photoshop and began selling custom retouching action sets to other photographers.

A few years later, Kevin expanded the teaching side by launching his Digital Photography Bootcamp workshops and other software preset packages. Today, he’s recognized as a leading Photoshop expert.

About six years ago, a Japanese company approached the couple about distributing a line of photo books in the US. This deal turned into their AsukaBook line, which offers gorgeous, high-end photo presentation solutions to other wedding and portrait photographers.

In order to further serve their book customers, Clare and Kevin formed Red Boot Design. This sector of their business offers graphic design that helps photographers create presentation albums, books, and cards. Although Red Boot offers templates and custom options that are geared around their AsukaBooks, they’ll do design for other projects as well.

By building a line of separate companies that all relate to each other and revolve around Kevin’s mastery of image making and processing, Kevin and Clare have developed a solid business model. While many photography-based businesses suffered greatly during the recent downturn, the Kubotas rode through the crisis with relatively smooth sailing.

Their business keeps expanding into the new decade with photo workshop tours in Italy and a recent book, Kevin Kubota’s Lighting Notebook, published by Wiley Press. His Dashboard photo action series and software tool sets continue to rate highly with other photographers.

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Senior contributor Dan Bailey is a professional adventure, outdoor and travel photographer based in Anchorage, Alaska.

 

 

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This week’s Link Roundup is conference-flavored, with news about the New York Photo Festival, the PMA Photo Show, and the Creative Freelancers Conference. [click to continue…]

A rather painterly photo by Joelle, the author's friend

My friend Joelle got hooked on photography after she started taking pictures of things she wanted to paint. She is actually a formally trained painter, and we became fast friends when we discovered our shared passion for photography. We have gone out shooting together a number of times, and we have taught each other a lot over the past year.

Each time we go out, I teach her a little about camera controls and she teaches me how to look at the scenery in a more creative way. Amazingly, our images often look similar, even though the thought processes behind them are completely different. [click to continue…]

Like many necessary tasks, uploading your photos to your blog can be tedious: after a while, all that resizing, tagging, and watermarking gets old.

But there are lots of ways to make this process more efficient, and one of my favorites involves making your watermark a custom brush. [click to continue…]

Ragnar Th Sigurdsson / Arctic Images

There are some truly amazing images in TIME Magazine’s recent 2010 best photos roundup. And there are a ton of best-of lists around the web claiming to sum up the year in great pictures. But looking at all these slideshows made me wonder: what images were neglected, which didn’t receive the publicity they deserved?

What do YOU think was the best image of 2010? Or, what was your favorite image of all the photos YOU took in the past year?

Please leave your answers/thoughts/links in the comments!

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